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Learn a range of innovative art-making techniques, incorporating an interdisciplinary STEAM approach. Experiment with design and fabrication using laser-cutting, 3D printing, vacuum forming and coding to create collaborative interactive installations across State Library.

Over three jam-packed days, teachers and educators will take part in an immersive series of experimental and practical workshops designed to provide practical skills in inventive approaches to art-making. Techniques may include (but are not limited to) Arduino programming for light and sound activation, 3D design and printing, mould and object making with vacuum formers, and laser etching and cutting. The program will culminate in a number of site-specific installations throughout the State Library. 

Program Dates: Wednesday 10 – Friday 12 April

Cost: $325 for 3 days*

Registrations close March 22.

Register Now

* Includes lunch, workshops and materials. Educators must source own accommodation and transport.

See what an Artiz Innovation experience looks like

Want to see what happened at Artiz Innovation 2018? Check out our video of the experience!

Experiment with laser-cutting, 3D printing, vacuum-forming and more to design and create collaborative interactive installations throughout the State Library! Join us to learn inventive approaches to art making with the latest tech.

Over three jam-packed days, students will take part in an immersive series of experimental and practical workshops shaped to achieve their own creative directions. Starting with group concept development, they’ll then have the opportunity to learn a variety of techniques to construct site-specific installations across the State Library. Techniques may include (but are not limited to) Arduino programming for light and sound activation, 3D design and printing, mould and object making with vacuum formers, and laser etching and cutting to achieve final collaborative pieces.

Registrations close March 22.

Register Now

See what an Artiz Innovation experience looks like

Want to see what happened at Artiz Innovation 2018? Check out our video of the experience!

Tiny Art, Big Impact! These exhibitions feature small artworks created by Flying Arts members from all across Queensland in the foyer and halls of the Judith Wright Centre of Contemporary Art, Brisbane.

Opening Hours:
Monday – Friday, 9am – 5pm

Free

The Autumn sitting features works from artist members Gabi Sturman, Leigh Schoenheimer, Ronda Luland, and Petalia Humphreys.

Gabi Sturman, Yungaburra

Gabi’s practice explores the concept of cultural value and the relevance of nature in contemporary society. Climate change, displaced and endangered species and how people value the natural landscape are of particular interest to her. Through sculptural representations of flora and fauna in singular works and collective installations, Gabi aims to create visual narratives about the complicated relationship between nature and humanity.

Read more about Gabi’s sculptures here.

Leigh Schoenheimer, Brisbane

Leigh Schoenheimer lives and works in Brisbane conducting a contemporary, multi-disciplinary art practice. She works primarily as a painter and sculptor, often bringing both arms of her practice together in her Constructions body of work. Schoenheimer’s work has been short listed in an impressive number of national art prizes for both painting and sculpture and she is currently working on a design concept for a public art project in Brisbane. Schoenheimer is one of several Queensland artists selected to feature as a case study in Creative Inquiry – a senior, visual arts textbook published last year by Cambridge University Press. This text will be used in high schools throughout Queensland and beyond.

Read more about Leigh’s work here.

Ronda Luland, Tweed Coast

Ronda Luland comes from several generations of artists, growing up in the country and playing in the “mud” on the farm. In the 70s she attended Bondi TAFE and did a course in ceramics and china painting. Ronda joined Tweed Unlimited Arts Pottery group 10 years ago and  once again enjoyed the introduction to ceramics. She loves living close to the ocean – her “Sea Life Series” is inspired by this. Some of the local landmarks are hand painted onto some larger pieces that Ronda obtained from a large pot workshop run by Bill Powell, Master Potter. She has also attended a Stephen Bower workshop in Brisbane to observe his technique on painting his pieces. Ronda has been inspired to paint plates and vessels with her own designs. Recently, Ronda has been throwing her own pieces and decorating them with Chrysanthos underglazes, once again focusing on the theme of “Sea Life.”

Read more about Ronda’s ceramics here.

Petalia Humphreys, Peregian Beach

Petalia Humphreys’ paintings reveal beauty caught in a moment of time whilst traversing an architectural landscape. With references to cross-sections of spaces surfaces meet to procure tension and release. Embracing both painting and sculpture, the works disclose contrasts and dichotomies, exploring ideas of playfulness and interplay – mapping both movement and stillness. Concerned with architectural space, there is a flattening out of that which is three dimensional. Pushed into the corner the square folds into its rigid setting yet the works manifests itself in a space beyond its physicality.

Read more about Petalia’s works here.

The Colour and Response project consists of two exhibitions at each venue. The first exhibition, Colour II: Merv Moriarty, In the Field features works by Flying Arts founder, Merv Moriarty. Each gallery will also present a local exhibition drawing on Flying Arts legacies, under the mentorship of Flying Arts curator Lisa Beilby.

Response Exhibition: Colours of Dalby

Forest Murmurs, Jack Wilson

Our gallery’s answer to the ‘Colour and Response’ Mervyn Moriarty Touring Exhibition, Colours of Dalby, is a collection of artwork and ephemera from the period, a video of interviews with three artists and a colour theory workshop.

The main philosophies promoted by Mervyn Moriarty were concerning colour, light and place. His tutelage resulted in significant technical advances for artists in their search to translate their environment into visual art. To illustrate this phenomenon, a display of artworks by local artists during this period will be exhibited, including images by Jo Smiles, Jack Wilson and Joan Bauer. Also, on display will be the artistic studies resulting from the colour theory workshop facilitated by our ambassador artist Trish Callaghan, in which Mervyn Moriarty’s colour theory was explained and demonstrated. Another direct response to Mervyn Moriarty’s influence on the art produced in the region will be shown via a video, wherein three of his students are interviewed discussing Mervyn Moriarty’s impact on their art practice. Ephemeral historical material will also be on display, in particular photographs of the intrepid artist and pilot, Mervyn Moriarty.

Opening Hours:
Monday – Friday 10am – 4pm, Saturday 10am – 2pm

Free

From dirt roads to rock pools, luscious rainforests to local festivals, Queensland is a state that inspires exploration. It’s full of diverse personalities, local legends and hidden gems valued by tourists and locals alike. Regional Queensland artists embraced a spirit of adventure to discover unique elements from communities around the state. This exhibition is an outcome of the 2018 Queensland regional Art Awards.

View the 2018 Queensland Regional Art Award touring works here

Gallery Opening Hours:
Monday to Friday 9am-5pm, Saturday & Sunday 9am-1pm

Free

Explore the world of wearable art and body adornment in this playful hands-on learning experience. This immerse creative process will have you exploring traditional and unconventional methods for sourcing and manipulating materials, problem solving and creation.

Use a wide range of media – from fabric, leather, metal and plastics to natural and found objects, and discover individual and collaborative approaches to wearable art.

Particularly relevant for secondary educators, this workshop will have you walking away with experience in jewellery making techniques, fabric construction and creative reuse and upcycling, as well as suggestions on where to source materials and test out creations on the catwalk. You’ll also have 2-3 experiments to take home.

Overall, you will gain an understanding of wearable art and the inspirational artists of this medium.

$75 ($60 for Flying Arts Members)

Book Now

Participants to Bring:

– Lunch or snacks – there is a food establishment within walking distance of the venue if preferred
– A cotton t-shirt, hat, skirt or other garment to upcycle into wearable art (optional)
– Participants must wear enclosed shoes
– Any found objects or old jewellery to upcycle and incorporate into designs (optional)

Tea, coffee and biscuits will be provided.

Promote your practice by learning how to put together a well-curated portfolio and get noticed by galleries.

Henri van Noordenburg guides you through a process of assessing the industry and target audiences to work out where and when to pitch your work. Then map the relevant content, structure and design of a portfolio so it shows the quality and scope of your practice.

As well as exploring the requirements and diversity of contemporary portfolios, you’ll work through the pros and cons of websites, social media and hard copy samples.

If you are an artist, arts worker, educator or student looking for knowledge of the Queensland arts industry, ways to find your audiences and how to curate a portfolio then this workshop is for you.

$75 ($60 for Flying Arts Members)

Book Now

Participants to Bring:

– Lunch or snacks (there are food establishments within walking distance of the venue if preferred)
– Existing Portfolio, CV, Biography and Artist Statements
– Samples of works (hard copy images if possible)

Tea, coffee and biscuits will be provided.